I’d like to thank Nathan and the team at Wendy’s Broadcadst for all their help. They have been supplying me with custom cables, made to the highest standard over many year. The low profile connectors are hard to find, yet they normally ship the finished leads the day after ordering, often to studios or locations where I am filming and I’ve never had to ask for any adjustments or corrections; They are right first time, despite my requiring some unusual bespoke wiring. I’ve also benefited from real world advice about products and fault finding. Wendy’s Broadcast have made location sound far less stressful.
CCM 41
The CCM 41 is strongly directional. Sound arriving from off axis is attenuated even more than with a cardioid. The pickup is “drier” and less susceptible to acoustic feedback than any other SCHOEPS microphone type (a loudspeaker should not be located directly along the rear axis of the microphone, however).
Its directivity is highly independent of frequency, so that even sounds arriving off axis and reverberant sound are registered without coloration. Consequently, even distant placement of the capsule produces a very natural sound pickup. This is a real advantage over interference-tube “shotgun” microphones, whose directivity is very frequency-dependent – exceeding that of a supercardioid only at higher frequencies. Interference-tube microphones are notoriously sensitive to their position in a room, where the shifting patterns of reflections cause corresponding shifts in sound color.
Frequency range | 40 Hz - 20 kHz |
Sensitivity | 14 mV/Pa |
Equivalent noise level (A-weighted) | 15 dB-A |
Equivalent noise level (CCIR) | 24 dB |
Signal-to-noise ratio (A-weighted) | 79 dB-A |
Maximum sound pressure level at 0.5% THD | 132 dB-SPL |
Current consumption with 12 V | 8 mA |
Current consumption with 48 V | 4 mA |
Impedance | 90 Ω |
Minimum recommended load impedance | 600 Ω |
Low-cut frequency | 20 Hz |
Length | without connector: 46 – 58 mm |
Diameter | 20 mm |
Weight | 43 g |