I’d like to thank Nathan and the team at Wendy’s Broadcadst for all their help. They have been supplying me with custom cables, made to the highest standard over many year. The low profile connectors are hard to find, yet they normally ship the finished leads the day after ordering, often to studios or locations where I am filming and I’ve never had to ask for any adjustments or corrections; They are right first time, despite my requiring some unusual bespoke wiring. I’ve also benefited from real world advice about products and fault finding. Wendy’s Broadcast have made location sound far less stressful.
Shotgun microphone capsule for the Colette series
Acoustical characteristics identical to those of the CMIT 5 and MiniCMIT
Compatible with all Colette-series amplifiers, e.g. CMC 1, CMC 6 (xt), CMD 42, CMC 5.
Steep, integrated low-cut filter (ca. 70 Hz)
Immune to moisture
The KMIT is the shotgun microphone capsule for the modular Colette series. It is derived directly from the CMIT series, inheriting the same acoustical qualities such as high directivity combined with low coloration of lateral-incident sound, and very smoothly increasing directivity at higher frequencies. The KMIT, CMIT 5 and MiniCMIT can be interchanged without altering the sound.
The KMIT is compatible with all amplifiers of the Colette series, e.g. with the current analog amplifiers CMC 6 and CMC 1 as well as the digital amplifier CMD 42. Thus, SCHOEPS now offers for the first time a digital shotgun microphone that can be controlled via the Remote App.
Frequency range |
70 Hz - 22 kHz with CMC 1/CMC 6 70 Hz - 40 kHz with CMC 6xt/CMD 42 |
Low cut filter |
70 Hz, 21 dB/Oct with CMC 1/ CMC 6 60 Hz, 22 dB/Oct with CMC 6 xt/CMD 42 |
Equivalent noise level (A-weighted) |
14 dB |
Equivalent noise level (CCIR) |
24 dB |
Maximum sound pressure level (THD < 0.5 %) |
130 dB-SPL with CMC 6 |
Current consumption |
P48: |
Length |
122 mm |
Weight |
50 g |