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I just wanted to put in writting my appreciation for everything your company has done for me recently. The replacement for my 664 mixer arrived today and is working perfectly. Please pass on my thanks to Matt for his patience, expert help and the guidance he has provided despite me phoning, in a panic, from various locations around the world.  Thanks to you all for going beyond the call of duty, the level of service has been absolutely fantastic! 

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DPA

FID-2-IE2 Dual-Ear Dual In-Ear Directional Headset Mic

DPA Dual-Ear Dual In-Ear Directional Headset Mic terminated with Micro Dot

FID-2-IE2

Please Call for Price & Availability

DPA FID-2-IE2 Dual-Ear Dual In-Ear Directional Headset Mic terminated with Micro Dot

The latest addition to the d:fine™ range of Headset Microphones, adds in-ear communication to our industry-leading capsules and remarkably comfortable design. The d:fine Dual-Ear Mount, Dual In-Ear, Broadcast Headset Microphone allows for two-channel monitoring from producers or for stage monitoring for theatre actors and singers.

The d:fine In-Ear Broadcast Headset Microphones is offered in three different versions - each with it’s own benefits – and two different colors. Four different microphone capsules are available: our d:fine Directional, d:fine 88 Directional, d:fine Omnidirectional, and d:fine 66 Omnidirectional. See the full list of standard variations in our pricelist.

The dual-ear mount, dual in-ear: Allows for two-channel monitoring from producers or for stage monitoring for theatre actors and singers.

DPA’s spring steel construction integrates the cable within the ear-hook to mount quickly and comfortably around virtually any ear size.
With a wide selection of accessories and adapters, d:fine headsets are ready to perform no matter what your application or audio ecosystem demands.
The In-Ear Broadcast Headset Microphone comes with our versatile MicroDot connector for the mic and a mini-jack for the in-ear driver. Adapters are available to fit most professional wireless systems.

With very low noise and extremely high sensitivity, d:fine In-Ear Broadcast Headset Mics deliver the clearest, most transparent and natural sound available today on the headset market. The mics effortlessly handle up to 144 dB peak before clipping. And due to their exquisite linear response, low distortion and extremely broad dynamic range, they sound great no matter what the application.

The d:fine Headset features:

  • Mic and in-ear monitor integrated in one unique solution
  • Easy to mount with minimum cable clutter
  • Minimalistic form factor
  • Legendary microphone capsule technology and sound quality

 

PLEASE NOTE - If you require different product options to those available on this site, please call the office on 0161-223 2200

 

Directional characteristics: d:fine Omni and d:fine 66: Omnidirectional. d:fine Directional and d:fine 88: Directional
Principle of operation: d:fine Omni and d:fine 66: Pressure d:fine Directional and d:fine 88: Pressure gradient
Cartridge type: Pre-polarized condenser
Frequency range: 20 Hz - 20 kHz
Frequency range, ± 2 dB:: d:fine Omni: 20 Hz - 20 kHz with 3 dB soft boost at 8 - 15 kHz. d:fine 66: 20 Hz - 20 kHz with 3 dB soft boost at 8 - 20 kHz. d:fine Directional (in near field 2-3 cm (0.8-1.2 in)): 100 Hz - 20 kHz with 3 dB soft boost at 8 - 20 kHz. d:fine 88 (in near field 2-3 cm (0.8-1.2 in)): 100 Hz - 20 kHz with 4-6 dB soft boost at 15 kHz.
Sensitivity, nominal, ± 3 dB at 1 kHz: 6 mV/Pa; -44 dB re. 1 V/Pa
Equivalent noise level, A-weighted: d:fine Omni and d:fine 66: Typ. 26 dB(A) re. 20 µPa (max. 28 dB(A)). d:fine Directional and d:fine 88: Typ. 28 dB(A) re. 20 µPa (max. 30 dB(A)).
Equivalent noise level, ITU-R BS.468-4: d:fine Omni and d:fine 66: Typ. 38 dB (max. 40 dB). d:fine Directional and d:fine 88: Typ. 40 dB (max. 42 dB).
S/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL): d:fine Omni and d:fine 66: Typ. 68 dB(A). d:fine Directional and d:fine 88: Typ. 66 dB(A).
Total Harmonic Distortion (THD): <1 % up to 123 dB SPL peak; <1 % up to 120 dB SPL RMS sine
Dynamic range: d:fine Omni and d:fine 66: Typ. 97 dB. d:fine Directional and d:fine 88: Typ. 95 dB.
Max. SPL, peak before clipping: 144 dB
Output impedance: From MicroDot: 30 - 40 ohm. From DAD6001-BC: 100 ohm.
Cable drive capability: Up to 300 m (984 ft) with DAD6001-BC XLR adapter
Output balance principle: Signal balanced with DAD6001-BC XLR adapter
Common Mode Rejection Ratio (CMRR): > 60 dB from 50 Hz to 15 kHz with DAD6001-BC XLR adapter
Power supply (for full performance): Min. 5 V to max. 50 V through DPA adapter for wireless systems. 48 V phantom power ± 4 V with DAD6001-BC XLR adapter.
Current consumption: Typ. 1.5 mA (microphone). 3.5 mA with DAD6001-BC XLR adapter.
Connector: Microphone: MicroDot. In-Ear: Stereo Mini-Jack
Color: Black, brown, beige
Weight: Max.: 26 g (0.92 oz)
Capsule diameter: 5.4 mm (0.2 in)
Mic boom length: d:fine Omni and d:fine 66: Standard: 110 mm (4.3 in). On-Request: 90 mm (3.5 in). d:fine Directional and d:fine 88: Standard: 120 mm (4.7 in). On-Request: 100 mm (3.9 in)
Cable length: 1.3 m (4.3 ft)
Cable color: Black
Cable diameter: Microphone cable: 1.6 mm (0.06 in). In-Ear cable: 1.95 mm (0.08 in)
Polarity: +V at MicroDot pin for positive sound pressure (and pin 2 on DAD6001-BC XLR adapter)
Electro Magnetic Compatibility (EMC): Fully compatible
Temperature range: -40 °C to 45 °C (-40 °F to 113 °F)
Relative Humidity (RH): Up to 90%
d:fine In-Ear Broadcast Headset (Specifications, In-Ear Drivers): :
Type: Dynamic earplug (acknowledged Hi-Fi plugs). 2 sizes Ear-adapters are included
Connector: 3,5 mm stereo Mini-Jack.
Single In-Ear: Signal at Mini-Jack Tip
Dual In-Ear: Signal at Mini-Jack Tip (Left ) and Ring (Right)
Sensitivity: 107 dB/V
Nominal impedance: 18 Ω
*: 2 sizes Ear-adapters are included

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