Can't find what you are looking for? Call our sales team on +44 (0)161 223 2200

Featured Products

Bongo Ties

Bongo Ties

Tentacle Sync

Timecode Sync Box

Schoeps

MiniCMIT Shotgun Microphone

Hawkwoods

NP-98 Lithium Ion NP1

Timecode Systems

Timecode Systems UltraSync ONE

Featured Brand

Why Choose WBS?

Whenever I need to buy new kit this is the place to go. Wendy and her team have excellent knowledge of the equipment they supply, access to information from manufacturers about the kit and an attitude to genuine customer service that is not often found in today's globalised corporate world. I have dealt with all the main UK broadcast suppliers and buying from Wendy's is by far the best experience.

John Collins

BBC Lighting Camerman

Schoeps

MK 8 Fig 8 Capsule

MK 8

MK 8 Figure of Eight Capsule

647.50 ex vat 777.00 inc vat

QTY

estimated delivery - Special Order Please Call

MK 8

This capsule type is a true dipole (bidirectional) transducer, operating with a single diaphragm. Its main axis is at a right angle to the capsule, and is marked at 0° and 180° with a red and a black dot respectively.

When M/S stereo recordings are made, the 0° axis normally faces to the left as viewed from behind the microphone setup. The “8“ engraved on the top of the housing should be aligned on its side so as to appear horizontal, at a precise right angle to the Mid capsule. The microphone should be placed directly above or beneath the “M“ channel microphone, and as close to it as possible.

The inherent qualities of a pure pressure-gradient transducer are readily observed in this capsule type:

  • Its sensitivity decreases at low frequencies.
  • The directional characteristic is extraordinarily independent of frequency.
  • Proximity effect is present.

The sound quality of the MK 8 is clear and neutral. The frequency response rolls off above 16 kHz.

When an MK 8 is used as a spot microphone, care must be taken to avoid picking up early reflections or unwanted direct sound from its rear, since sound arriving from the back is picked up with full level but reversed in polarity. This could result in partial cancellation of the intended sound, which can lead to comb-filter effects at higher frequencies.

The directivity index of a figure-8 pattern is the same as that of a cardioid; if microphones with these two patterns are placed at the same distance from a sound source, a quantitatively similar balance of direct and reverberant sound would be picked up. In practice such a comparison would be deceptive, however, since a figure-8 does not respond to sound coming from the sides, from above or from beneath its main axis as does a cardioid. The figure-8 has a rear lobe equal in sensitivity to its front lobe, and this exactly makes up the quantitative difference – but in normally reverberant settings, the sound reaching a figure-8's rear lobe will be delayed and dispersed to a considerably greater extent than the reverberant sound energy which a cardioid picks up from its front and sides; the reflected sound will typically be subject to far more high frequency absorption as well. Thus the reverberant sound energy picked up by a figure-8, though theoretically equal in amount, is quite different in character from that which would be picked up by a cardioid in the same position.

 

Frequency range 40 Hz - 16 kHz
Sensitivity 10 mV/Pa
Equivalent noise level (A-weighted) 18 dB-A
Equivalent noise level (CCIR) 26 dB
Signal-to-noise ratio (A-weighted) 76 dB-A
Maximum sound pressure level at 0.5% THD 134 dB-SPL
Length 34 mm
Diameter 20 mm
Weight 18 g

 

Sign up for our newsletter

Wendys Broadcast Services LTD, Unit 2 Medlock Court, The City Works, Manchester, M11 2NB Registered in England 21020497 Vat No GB 850 1613 57

web site by Steve Boyle